I recently came across a letter I’d received from a fabric company about a year ago. I’d been reaching out to some companies that I thought my work might be a good fit for. And while I had my top picks for dream companies, I was also aware that dreams don’t happen overnight, so I was hoping to just get fabrics *somewhere* and that maybe it would get my foot in the door. One of the options was a company that required I send a package in the mail, and a few months later received, if I might say, I rather snarky rejection letter. Essentially the letter said (and I’m paraphrasing, but not by much) that my work brought nothing new to the table, and that I’d essentially wasted their time. While I appreciated the personal reply, part of me almost wished that I’d never received it… it was so negative and unfriendly, and for some, could have been a dream killer. It wasn’t my dream company, so I decided I better not let it crush my dreams. So the other day when I came across this letter, while working on my second collection for Cloud9 Fabrics (which, by the way, *was* at the top of my dream list), a whole bunch of emotions came up for me. It made me realize how much has happened in the past year. And how happy I am about it all. And how glad I am that I didn’t listen to that letter or let it alter my path.
I just wanted to write this post because sometimes it’s hard to keep your chin up when things don’t seem to be going anywhere. You submit, submit, submit… and feel lucky if you even get a reply. Sometimes it all just seems pointless, when you’re investing soooo much of your time and your heart into something, and hoping your dreams come true, and nothing is happening. You start to think your work isn’t good enough. I just wanted to share this story as a reminder to always try and keep your chin up. To persevere and keep at it and use that rejection as fuel to do better. And if at first you fail, then try, try again. And then when you reach one of your goals, you can feel a little extra proud of how far you’ve come.
One of the highlights of my 2013 was working with Madison Park Greetings, a really artist-focused Seattle-based company whose products I always noticed in nice gift and card shops. I was so excited when I worked on my first greeting card for them, and then that turned into a few more, then more, and then into all sorts of fun gift products, most of which have just launched on January 1st. I’m so excited to show you the first instalment of my new products with them, which includes gift wrap (dream come true!!), washi tapes (ahhh!) and the cutest little gift bag-and-sticker set. I mean, what a dream!
I’ll leave you with a few photos of these new products (click to see larger), and there are many more to come! I’ll share as they become available. Wishing you all a joy-filled, inspiring and fulfilling 2014!
It’s been a long time coming, and I’m so happy to finally announce my fabric line with Cloud9 Fabrics!! Do you know how hard it’s been to hold these cards close to my chest and keep it on the down low? VERY. But the collection debuted at Quilt Market this past weekend, and so I can make it official. Big yay!
I’ve been dreaming of having a fabric line, and have admired Cloud9 Fabrics for a long time. I had my heart set on working with them, they sat at the top of my list of ‘dream clients’ and so when we signed on to work together I was over the moon! Like my face hurt from smiling so much. Their fabrics feature artists like Lisa Congdon, Eloise Renouf, Heather Moore of Skinny Laminx, Rae Hoestra, the very talented Creative Director of Cloud9 herself, Michelle Engel Bencsko… and so many more! So I’m totally stoked to be included in such an incredible group of artists.
For now, here’s the little emblem for the collection which is called Grey Abbey, and is named after a small town in Ireland, close to where my mum grew up. Ireland holds a very special place in my heart, and many of my patterns are based on the antiques that my grandmother has in her beautiful home there. So I thought the title quite fitting. The collection features a really nice mix of tossed and structured florals with some vintage flare, in two colour ways, and I can’t wait to show you… soon! The collection will be hitting the market in early 2014 — stay tuned for more updates!
As always, thank you all for the support, it’s so very appreciated!
Recently, I was invited to Rock Hill, South Carolina by a new client that I met at Surtex. I was really excited to go because when I met the folks from Springs Creative they were the warmest, loveliest people, so I knew I would be in good company. When they told me that I would be staying at the ‘Homestead’ I was really curious, and I felt like I was about to embark on a Southern adventure.
They also invited another artist who I had the great pleasure of getting to know — the fabulous, incredibly talented and charming Jennifer Paganelli of Sis Boom. Her eye for colour and pattern is awe-inspiring, she has truly built a name for herself and she was great company!
The Homestead was incredible, and when I saw my room, I felt like a princess. The former family home of the company founders, the Homestead is now a guest house, and I’ve never stayed anywhere like it. It was like staying in a museum, in fact, they actually have a curator on staff. In this case, I think pictures will speak louder than words (below).
Springs has a long history in the fabric industry, and they work in the former cotton factory which has been converted into offices, which are beautiful and so inspiring and house an incredible archive library that was better than any textile museum I’ve visited, with thousands upon thousands of textiles, well-preserved by their amazing designers Suree and Len. You could ask Len for any kind of obscure art or style, and he could take you to exactly where to find it in a matter of seconds. I was like a kid in a candy store. They have a huuuuge selection of fabrics from the 20th century but also some gems from as far back as 1246!! I could have spent days here. See just a small sampling of some of my favourites, below.
As for what the trip was all about, I can’t say much about it but can offer up a hint: it involves the world of quilting. We were meeting with buyers from a really amazing retail store in the US, and Springs put on a fabulous presentation of our art and made us feel so welcome. (I was so thrilled when I saw that they’d actually taken a cake pattern that I’d designed and had a baker bake a cake based on the design!) The whole thing was a success, and that’s all I can say for now… I swear, the hardest part of licensing is keeping quiet about things that I’m super excited about!!
On the way to the airport on the final day, we stopped the car over for a moment to look at a nice building, and not a second later a man pops up at the side of the car, with a head full of white hair and wearing a full seersucker suit and asks in a true southern drawl “excuse me, ma’am, do y’all need any help?”. Talk about a Southern gentleman. Coming from a bustling city where disrupting the flow of traffic for more than a few seconds would warrant a long honk or the hurling of insults, it was the perfect end to a wonderful trip. A big, gigantic thank you to the lovely, lovely Susan and all the staff at Springs Creative. It was an unforgettable trip. I can’t wait to see what’s next.
I’m thrilled to be included in Uppercase magazine’s Work/Life 3 illustration annual, which is out now! I’m a big fan of Uppercase and if you’re an artist / designer / creative / maker type, then you’ll love it too. I saw last year’s issue and thought it was fabulous, so I applied for this edition and was so happy to be included. Artists are interviewed and are then given a brief based on that — for me, my brief was to use my love of baking to create a new series called ‘Home Sweet Home’. And the images below are what I came up with. I don’t get to bake as often as I’d like these days, but it’s a real passion of mine. And I love all the beautiful ingredients and tools and vessels you get to work with.
Always a good exercise to work to a brief. Up until a few months ago, my work was all self-directed. But more and more, I’m getting brief-based work and it really forces you to shake things up and push yourself past your comfort zone! I’m happy with how these turned out, and you’ll see one of them on greeting cards for Madison Park Greetings one day soon!
This summer was an incredible time for me for new opportunities — I could see my business growing and it was amazing and thrilling and fulfilling. I had been so busy working on brief-based assignments that I hadn’t had a lot of time for self-directed work. And to be clear, I am 100% aware of what an amazing problem to have. It’s kind of insane.
So I hadn’t been finding a whole lot of time to just play around and doodle and assemble patterns purely for fun, for myself, self-directed. After finishing up a few projects, I was super excited to dive in and just let the ideas pour out of me. For the past year, I’ve had my head down developing new work morning, noon and night in preparation for Surtex — I’ve been in such a groove. So I sat down and put pen to paper and… nothing. I tried to employ a few of my tricks to kickstart things. (Walk away and come back with fresh eyes. Get away from the computer. Look at other work that inspires me. Go buy some flowers. Change my scenery.) But nothing was working, and I was getting increasingly frustrated with myself.
After having some successes (small to some, huge to me), I now realize that I had really started to psych myself out. I started to think maybe that was all just a fluke. Maybe I was just channeling some limited-time-only creative kick and now my window is over. Maybe I’m a one-trick pony. It was really getting in my head. Ultimately what happened was that I had to try and turn my inner business lady off and realize why I’m doing what I’m doing. It may seem silly to some, but I absolutely love patterns. I am passionate about them and have been my whole life and when I discovered that I loved creating them myself, it was like a light was turned on inside me. After throwing myself into the business side of things, I was getting distracted from the thing that mattered the most — I needed to stop thinking about the future, about success, about what my next moves are, and remember that this is just what I love to do.
The other important lesson that I learned is that creativity is a fire that must be stoked. If you keep it up, keep the coals hot, you can hop back in and start one up so easily. But if you neglect it and let it go out, it’s a whole lot more work to get back to where you were. So keep those fires stoked! And I hope you enjoy my newest collection (more coming soon!). Thanks for reading!
Hello! It’s been a while since I’ve done a post… I haven’t been sharing a whole lot lately, for a few reasons. First, I’m happy to report that I have been swamped with amazing projects (if you had told me that I would be paying my rent with patterns a year ago, or even a few months ago, I never would have believed it, so I’m thrilled). Most of this work has been commission-based, and the type of work that I have to hold close until it’s in the market, so no sharing allowed. And secondly, I’ve been trying to figure out my stance on sharing since Surtex.
When I was at Surtex, a dream client came to my booth and was interested in one of my patterns, for the kind of product that made me want to jump up and down, and they even followed-up after the show with a contract. I was ecstatic. But after reading through the contract, I noticed a clause stating that the artwork could never have entered the public forum. My stomach dropped when I realized that I’d used the image for self-promotion for Surtex, and in the end, we couldn’t move ahead with that pattern, which was a huge bummer. The good news is that the door stayed open, and I worked on a commission for them in the end (more on that when the time comes)!
But this brought up an issue I had only considered in passing: whether to share, or not to share, new work. It’s a tricky one. As someone that’s relatively new to this industry, my whole goal for the past year has been to get exposure, to get my work out into the world, to get my name out there. I wanted people to know what I would be showing at Surtex, so I had to promote my work. I’ve had a few emails from other designers asking my opinion on this too… whether a manufacturer is less likely to license artwork if it’s been ‘seen’ before. And after much consideration, all I can really say is that there is no firm answer. Of course, you should never show work that is being commissioned, but for new work that’s available for licensing, how is the world going to know it’s there if you can’t show it? How is the world going to know about you if you can’t put yourself out there?
So, after all of this, I’ve decided that for the time being, I’m going to continue to promote and share my work, but perhaps just a little less than before. For that one lost opportunity, I’ve gained many more by having my work online. What are your thoughts on sharing work?
With this, I will leave you with a few new pieces that I’ve been working on lately that I’m at liberty to share, and know that I will have more exciting things to share in the months ahead! Thanks for reading!
Beautiful news — I have once again collaborated with Dioton, a stationery company in France focusing on personalized invitations and birth announcements, and I couldn’t be happier with the results. They have such a beautiful way of pairing type and image. Check out the new designs, available on their website!
And if you didn’t catch our first collaboration, check out the post here!
I’m both incredibly happy and incredibly sad to say that my first Surtex has drawn to a close. I’m happy because so much good came from it… and sad because I wish I could go back and do it all again! During the planning for the show, I experienced a strange brew of emotions… joyful nervousness; confidence with a side of doubt; and an anticipated blend of hope and fear. But after all is said and done, if I had to choose one word to describe the experience, it would be a big. fat. YAY!
When I decided to do Surtex, I tried to gather as much information as I possibly could. I read blogs, bought e-books (thank you, Tara Reed!), listened in on Surtex’s amazing webinars (again, thank you Tara Reed), spent way too many hours on Linkedin, and then put all of that information through a filter and started to design my whole presentation. My career has been in graphic design up to this point, which helped… I’ve spent years designing brands and presentations for other businesses, so it was such a rewarding experience to put that kind of effort into my own. I did things I’d never done before… I designed a trade booth, a press kit, a promo video. I got fabrics printed, I made a look book, I put ads in publications. I decided that if I was going to do it, I had to dive in head first. When we were all set up, it was thrilling to see the final package.
The answer is 13. THIRTEEN SLEEPS! It’s been a while since I’ve written a post — forgive me — but I’ve been completely absorbed in my Surtex preparations and all of the many facets of it, and I’m so excited for the show. What an adventure! One thing that I’ve noticed about myself as I grow older, is that I’m way more organized than my mind would lead me to believe. Since I registered for the show, my mind has been a constant flurry of new pattern ideas, obsessive worries about not doing enough or working hard enough, daydreams, budget planning concerns, logistics coordination and the seemingly endless list of to-dos that must be done for the show. At points my nerves were just frazzled, and there were points when my mind had trouble entering a state of calm. It really required a lot of juggling, but looking back, with the show within reach, I can’t believe how many to-dos I’ve crossed off my list and I guess I surprised myself. While I often felt like I was in a state of chaos, I was moving forward every day and I think I’ve realized that I just might be good at this business thing after all. I can’t help but feel like planning a wedding would be a piece of cake after this boot camp. With less than two weeks to go till the show, I’m certainly filled with all sorts of emotions but if I had to select a single phrase that would capture how I’m feeling right now it would be this: BRING IT.
I’ve had some amazing support along the way, the help of my amazing friends and tons of you lovely folks cheering me along from the internet sidelines. And I’m thrilled that two of my very best friends are coming to New York with me, so I know I’ll have a good support network when I inevitably have doubts creep into my mind when I see all of the beautiful artwork unveiled by other super talented exhibitors. But everyone has something different to offer, and I’ve been so pleased to find that this community is so supportive, friendly and encouraging.
I shouldn’t have waiting so long to write a post — I feel like I could write a novel — but for now I’ll leave you with some of the patterns I’ve been working on for Surtex. And any help in getting the word out is so very, very welcome and appreciated. Thanks everyone. Cross your fingers for me!